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The Maytrees

ebook
1 of 1 copy available
1 of 1 copy available

"Brilliant. . . . A shimmering meditation on the ebb and flow of love." — New York Times

"In her elegant, sophisticated prose, Dillard tells a tale of intimacy, loss and extraordinary friendship and maturity against a background of nature in its glorious color and caprice. The Maytrees is an intelligent, exquisite novel." — The Washington Times

Toby Maytree first sees Lou Bigelow on her bicycle in postwar Provincetown, Massachusetts. Her laughter and loveliness catch his breath. Maytree is a Provincetown native, an educated poet of thirty. As he courts Lou, just out of college, her stillness draws him. He hides his serious wooing, and idly shows her his poems.

In spare, elegant prose, Dillard traces the Maytrees' decades of loving and longing. They live cheaply among the nonconformist artists and writers that the bare tip of Cape Cod attracts. When their son Petie appears, their innocent Bohemian friend Deary helps care for him. But years later it is Deary who causes the town to talk.

In this moving novel, Dillard intimately depicts willed bonds of loyalty, friendship, and abiding love. She presents nature's vastness and nearness. Warm and hopeful, The Maytrees is the surprising capstone of Dillard's original body of work.

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    • Publisher's Weekly

      Starred review from February 5, 2007
      Lou Bigelow meets her husband-to-be, Toby Maytree, when Toby returns to Provincetown following WWII. In the house Lou inherits from her mother, they read, cook soup, play games with friends, vote and raise a child. Toby writes poetry and does odd jobs; Lou paints. Their unaffected bohemianism fits right in with the Provincetown landscape, which Dillard, who won a Pulitzer Prize for Pilgrim at Tinker Creek
      , describes with an offhand but deep historical sense. Years into the marriage, Toby suddenly decamps to Maine with another local woman, Deary Hightoe; flash forward six years to Lou reading Toby's semimonthly letters (and Deary's marginal notes) "with affectionate interest." Dillard, stripping the story to bare facts-plus-backdrop, is after something beyond character and beyond love, though she evokes Lou and Toby's beautifully. Thus, when Deary's heart falters 20 years later and Toby brings her home to Lou for hospice care, Lou puts up water for tea and gets going. She feels too much, not too little, for mere drama, although people who don't know her misread her. In short, simple sentences, Dillard calls on her erudition as a naturalist and her grace as poet to create an enthralling story of marriage—particular and universal, larky and monumental.

    • Publisher's Weekly

      August 27, 2007
      David Rasche's reading of Annie Dillard's lovely new novel is the epitome of serene. He appropriately treats this tale of love lost and regained with calm attention and stillness. However, the combination of his deliberate and thoughtful reading, similar to the way many poets read their poetry, and Dillard's spare and elegant prose may not be for everyone. Add to the mix the soothing sounds of the Windham Hillesque piano pieces that open and close each disc and a listener may be lulled into an almost meditative state or beyond. This audio experience is like floating on ocean swells as the surf roars in the distance: powerful, mesmerizing and relaxing. In a way, it is the perfect beach book: listen as you soak in the sun's rays and drift in and out of the finely crafted, lithe narrative. Be warned, however: this vast and loving epic may not be suitable listening for a tired driver with a long night's journey ahead. Simultaneous release with the HarperCollins hardcover (Reviews, Feb. 5).

    • Booklist

      Starred review from February 1, 2007
      Dillard, a member in good standing of the school of Emerson and Thoreau, reads the living world with the elevated attention accorded sacred texts. This habit of mind shapes her prized nonfiction, from " Pilgrim at Tinker Creek "(1974) to " For the Time Being" (1999), and underlies her fiction, first, in " The Living" (1992), a historical saga set in the Pacific Northwest. And now in this rhapsodic novel of our times set on Cape Cod and portraying free-spirited characters dazzled by the sea, stars, sun, wind, and dunes. Deary, a country-club escapee, sleeps in the sand's cradling embrace. Poet Toby Maytree cherishes the beach shack his coast guard father built, which is where he takes beautiful and meditative Lou, launching a epic love. Dillard's gift for combining scientific precision with soul-stirring lyricism has never been more beguiling and philosophically resonant. Can Lou and Maytree's seaside idyll last? Yes and no. Broken bones and broken promises do not altogether slay love, or dispel osmotic understanding. The ocean gives, takes, gives back. Lou is an anchorite, free of clock time and clutter, devoted to the story of the land. Maytree is a voyager who, in old age, returns home. In this mythic and transfixing tale, Dillard wryly questions notions of love, exalts in life's metamorphoses, and celebrates goodness. As she casts a spell sensuous and metaphysical, Dillard covertly bids us to emulate may trees--the resilient hawthorn--the tree of joy, of spring, of the heart.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

    • Library Journal

      March 15, 2007
      Pulitzer Prize winner Dillard (Pilgrim at Tinker Creek ) is best known for her nonfiction; this 11th book, set on Cape Cod, is a fictional account of a broken family. The plot follows the courtship and marriage of Toby Maytree and Lou Bigelow, who fall in love and settle near Provincetown shortly after World War II. Good-looking, unconventional, and brainy, Toby and Lou share an intense appreciation of the natural worldthe Cape's wild sand dunes are major players in the novelyet husband and wife live most vividly within their own minds, a trait strongly reflected in Pete, their only child. When Toby impulsively leaves with another woman to settle in Maine, none of the Maytrees really knows how to cope. Many years pass before tragedy propels them to achieve reunion and redemption based on selfless love. The poetic language, close observations of nature, and moving, family-centered theme in this short, low-key novel should appeal to a wide readership. Recommended for most fiction collections. [See Prepub Alert, LJ 2/15/07.]Starr E. Smith, Fairfax Cty. P.L., VA

      Copyright 2007 Library Journal, LLC Used with permission.

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